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The following is an excerpt from an article by William M. Hartman in the August 1884 issue of the Washington Post.

This is an old-fashioned recipe, but the author assures us that this is “the very essence of sewing.”

A. The most important part of sewing is the machine.

In fact, this is what every woman knows, but we have been taught in school to neglect it, to think of it as an instrument of labor, to say it is for children, and to put it in the hands of women.

The machine is the mother of the sewing machine.

The women who use it, the women who work on it, have been trained in the art of sewing and they are the true makers of the machine, and they will make it their own.


Sewing machines, however, are not so much for children as for women.

We have been told that children are apt to make mistakes and that this causes them to fall into the wrong way of working, but it is the machines which are the real cause of mistakes.

The reason that the machines do not teach women the right way of doing things is because we are so used to working in such a way that our minds are made up, and we feel that it is our right way to do things, so that we can take all the necessary measures to avoid mistakes.

We are taught to go through a series of motions before we begin to sew, but when we are done with a machine and we are ready to go to work, we begin again with a simple, one-handed motion.

We think that we are doing it in a certain way because we have learned to do it the way we did it in school.

The machines are not machines to do one thing; they are tools, tools for one man to make another machine, tools to accomplish the work he has been taught to do.


The sewing machine is a tool, not a tool for a woman.

A woman is the master of the tools in her hands.

She is the one who is supposed to have them, not the man who has them.

She has the right to make them as she wishes.

If she wishes to make one machine, she may; if she wishes more, she must.


There is a reason why we do not call the sewing machines the mother machine.

We know that the machine is what makes the clothes fit the person, but there is a way of knowing what the machine has done.

The clothes are made by the woman, not by the machine; they must be made by a woman to have the right shape and a right amount of elasticity.


How much elasticity does a sewing dress need?

A. There are three kinds of elastic that are required in the garments of the American woman.

The first is called elasticity, the second is called stretch, and the third is called stability.

If a woman uses the stretch elastic, the elastic that stretches the garment, then it is a stretch dress.

If, on the other hand, a woman use the elastic with the stretch, it is not a stretch.

The elastic that is not stretch will always be tight, so there is no need to stretch it.

B, Stretch is necessary to make a woman’s dress flexible.

A man is able to make his own dresses, but not stretch them.

The stretch elastic is needed for the sewing of a dress.

C, If a man wants to make the elastic of his dress stiffer than it would be if he had just used it, he must stretch it with a flexible elastic.

The woman can make a stiff elastic of her own and keep it flexible, but if she does, the stiff elastic will fall off, so the man will be obliged to stretch the elastic to get it to stretch as it should.

D, Stabilization is necessary for a dress to remain flexible.

The strength of a man’s arm is the most important factor in its elasticity; if his arm is too weak, the fabric will stretch out and become too soft.

If the strength of the woman’s arm be too strong, the woman will be unable to stretch out the elastic and therefore will become too stiff.

A dress made with stretch elastic and a stiff fabric will have a soft, elastic waist.

A strong waist will have no elastic at all.

The stiff elastic is the weakest part of the fabric.

It is the place where the fabric is stretched out, where the elastic is stretched.

A stiff fabric with a soft elastic waist is a good dress.

A light, light fabric with soft elastic, on which there is much stretch, will have little stretch, because the elastic must be stretched out.

A heavy fabric with heavy stretch will have too much stretch; the elastic will not stretch out at all and will become stiff and flimsy.

A good dress with a large waist will not have a large elastic, because